{"id":390,"date":"2014-06-10T20:36:11","date_gmt":"2014-06-10T19:36:11","guid":{"rendered":"http:\/\/www.florencegirardeau.org\/new\/?p=390"},"modified":"2018-03-02T16:09:11","modified_gmt":"2018-03-02T15:09:11","slug":"polarized","status":"publish","type":"post","link":"https:\/\/www.florencegirardeau.org\/new\/polarized\/","title":{"rendered":"Polarized"},"content":{"rendered":"

\"\"<\/p>\n

“S\u00e9lectionn\u00e9e en 2013 pour ex\u00e9cuter une \u0153uvre graphique pour les vitres de la nouvelle salle polyvalente du\u00a0lyc\u00e9e Lebrun\u00a0au titre du 1% artistique, l\u2019artiste a propos\u00e9 de mettre en pratique un proc\u00e9d\u00e9 qu\u2019elle connait bien : le collage d’images r\u00e9cup\u00e9r\u00e9es.
\n\"\"Comme\u00a0T\u00e9phras\u00a0(2008),\u00a0Unphras\u00a0(2010),\u00a0Gradiva\u00a0(2010) ou encore\u00a0Mu(t)\u00a0(2011), le triptyque qu\u2019elle a r\u00e9alis\u00e9 pour l\u2019\u00e9tablissement coutan\u00e7ais se compose d\u2019impressions num\u00e9riques couleurs. Celles-ci prennent la forme de onze vues microscopiques, choisies dans la phototh\u00e8que du Centre National de Recherche Scientifique (CNRS). Elles repr\u00e9sentent des mat\u00e9riaux – pierre, bois, m\u00e9tal, ciel et v\u00e9g\u00e9taux visibles par les fen\u00eatres – ainsi que des couleurs – ocre, brun, vert, bleu, gris – pr\u00e9sents dans la salle polyvalente. Ces vues ont \u00e9t\u00e9 d\u00e9coup\u00e9es en fines lamelles, puis coll\u00e9es les unes contre les autres sur trois plaques de verre. Le dessin cr\u00e9\u00e9 par les collages forme ainsi un jeu de vides et de pleins. Les trois \u00e9l\u00e9ments ont \u00e9t\u00e9 install\u00e9s en novembre 2014 \u00e0 des hauteurs diff\u00e9rentes, devant les vitres est, sud et sud-ouest de la chapelle.
\nInscrite dans un ancien lieu spirituel reconverti en lieu d\u2019\u00e9tude et de travail, la composition de cette \u0153uvre \u00ab\u00a0refl\u00e8te ces activit\u00e9s de la pens\u00e9e, de la r\u00e9flexion, tel un \u00e9lectro-enc\u00e9phalogramme\u00a0\u00bb. Elle interroge l\u2019\u00e9chelle de notre perception – en hauteur, elle ne peut faire l’objet d’une observation minutieuse, qui serait par ailleurs mise \u00e0 mal par la fragmentation des vues – ainsi que celle de notre connaissance – elle repr\u00e9sente des \u00e9l\u00e9ments invisibles \u00e0 l\u2019\u0153il nu, ici r\u00e9v\u00e9l\u00e9s par le microscope.
\nCette \u0153uvre croise ainsi les disciplines des sciences et de l\u2019art. D’o\u00f9 son titre, \u00ab Polarized \u00bb. Selon les mots de l’artiste, ce terme \u00ab\u00a0fait r\u00e9f\u00e9rence \u00e0 la technique scientifique de fabrication de ces images. En effet, sept des onze images ont \u00e9t\u00e9 r\u00e9alis\u00e9es au microscope optique \u00e0 lumi\u00e8re polaris\u00e9e. En fran\u00e7ais, \u201cpolaris\u00e9\u201d peut \u00e9galement signifier un point d\u2019attirance, de convergence ou le fait de se fixer, se concentrer en un ou plusieurs points. En anglais, la consonance \u00ab rized \u00bb \u00e9voque une ascension. La pi\u00e8ce et son titre soulignent le rapport \u00e0 la lumi\u00e8re. Les ombres color\u00e9es sont fonction de l\u2019intensit\u00e9 de celle-ci, et de la position du soleil. L\u2019\u0153uvre est aussi en mouvement, dans la tradition du vitrail. Par ailleurs, elle est une \u00e9vocation, un report du paysage ext\u00e9rieur, donn\u00e9 \u00e0 voir \u00e0 l\u2019int\u00e9rieur.\u00bb.”<\/p>\n

Chapelle du Lyc\u00e9e Lebrun, Coutances.
\nTriptyque, 3 fois 1490 cm x 690 cm
\nImpression num\u00e9rique, verre.<\/p>\n

Polarized sur le site du CNRS IMAGES<\/a>
\nPolarized sur le site d\u00e9di\u00e9 au 1% artistiques de la R\u00e9gion Basse-Normandie<\/a><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

2014
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