{"id":261,"date":"2014-06-08T13:42:13","date_gmt":"2014-06-08T12:42:13","guid":{"rendered":"http:\/\/www.florencegirardeau.org\/new\/?p=261"},"modified":"2018-03-04T12:47:41","modified_gmt":"2018-03-04T11:47:41","slug":"lacune","status":"publish","type":"post","link":"https:\/\/www.florencegirardeau.org\/new\/lacune\/","title":{"rendered":"Lacune"},"content":{"rendered":"

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Si le mot “lacune” est un “espace vide dans l’\u00e9tendue d’une chose, (une) solution de continuit\u00e9 d’un corps”, il peut aussi d\u00e9signer un “espace ouvert par interruption dans la continuit\u00e9 du rivage”. Originaire du latin lacuna \u00ab trou \u00bb il est admis aussi qu\u2019il d\u00e9rive de lacus, \u00ab\u00a0lac\u00a0\u00bb.*Source\u00a0: CNRTL.
\nL\u2019installation vid\u00e9o Lacune cristallise la connexion de certains lieux et certaines observations. Tout d\u2019abord, l\u2019Oreille de Dionysos, grotte situ\u00e9e \u00e0 Syracuse, dont la singuli\u00e8re acoustique permettait au roi Denis d\u2019\u00e9couter les secrets des prisonniers. Cette grotte que j\u2019ai visit\u00e9e en 2004 r\u00e9v\u00e8le pour moi la possibilit\u00e9 d\u2019une perception accrue et inhabituelle des choses. L\u2019Oreille de Dionysos fut un point de d\u00e9part, qui s’est associ\u00e9 \u00e0 la forme d\u2019un pas, ou plut\u00f4t la contre-forme dessin\u00e9e par l\u2019\u00e9cart des jambes lors d\u2019un pas, et a permis le dessin de\u00a0Lacune.
\nC\u2019est le long de ce contour sculpt\u00e9 que vient se projeter l\u2019image vid\u00e9ographique. Une surface de pierre, avec sa mati\u00e8re granuleuse, ses fissures et recoins, change imperceptiblement d\u2019aspect et de couleur. En effet, elle s\u2019humidifie jusqu\u2019\u00e0 \u00eatre luisante d\u2019eau, puis s\u00e8che \u00e0 nouveau. Ce ph\u00e9nom\u00e8ne se produit tr\u00e8s lentement sur diverses zones de l\u2019image, pr\u00e9sentant \u00e0 chaque instant des parties o\u00f9 l\u2019eau suinte et des parties o\u00f9 l\u2019eau s\u2019\u00e9vapore. La lenteur du changement d’\u00e9tat questionne nos facult\u00e9s de perception dans le temps.
\nL\u2019image en mouvement se projette \u00e9galement en arri\u00e8re du pan (\u00e9cran et sculpture), redoublant le dessin et prolongeant, soulignant le jeu de forme et contre-forme d\u00e9j\u00e0 pr\u00e9sent au d\u00e9but de la conception de l\u2019oeuvre.<\/p>\n

Le pan sur lequel se projette la vid\u00e9o est en bois, peint et ponc\u00e9 en plusieurs couches d\u2019une peinture acrylique noire, m\u00e9lang\u00e9e \u00e0 de la poudre de graphite utilis\u00e9 comme un pigment. Sa surface a ainsi un aspect soyeux, comme une laque matte ou encore comme un enduit de graphite. Les bords du pan de bois sont aiguis\u00e9s en biseau, ce qui lui donne l\u2019allure d\u2019une lame.\u00a0Le pan de bois est fix\u00e9 au sol \u00e0 l\u2019aide de tiges m\u00e9talliques enclench\u00e9es dans l\u2019\u00e9paisseur. La fixation est invisible.\u00a0Le projecteur est plac\u00e9 \u00e0 la verticale et est muni d\u2019un cache qui permet la projection de la forme ad\u00e9quate.<\/p>\n

Le pan de bois mesure 75 cm de large et 152 cm de hauteur. La distance entre le pan et le mur d\u2019arri\u00e8re plan est d\u2019environ 100 cm. La projection sur le mur \u00e0 l\u2019arri\u00e8re plan est d\u2019environ 150 cm de large et 200 cm de hauteur. La distance n\u00e9cessaire du projecteur au pan est de 350 cm environ.\u00a0La vid\u00e9o a une dur\u00e9e de 14 minutes et 24 secondes, elle est mise en boucle. La derni\u00e8re image est synchronis\u00e9e avec la premi\u00e8re (v\u00e9ritable boucle).<\/p>\n

\n

2011 \/ installation vid\u00e9o \/ bois, peinture acrylique et graphite, projection vid\u00e9o HD \/ 180 x 200 x 350 cm<\/em><\/p>\n

\"\" \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

2011
\nbois, peinture acrylique et graphite, projection vid\u00e9o HD
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