{"id":45,"date":"2014-06-03T15:51:43","date_gmt":"2014-06-03T14:51:43","guid":{"rendered":"http:\/\/www.florencegirardeau.org\/new\/?page_id=45"},"modified":"2024-03-14T13:44:25","modified_gmt":"2024-03-14T12:44:25","slug":"biographie","status":"publish","type":"page","link":"https:\/\/www.florencegirardeau.org\/new\/biographie\/","title":{"rendered":"Note d&#8217;intention, CV."},"content":{"rendered":"<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><ul class=\"wp-block-social-links alignright has-icon-background-color is-content-justification-right is-layout-flex wp-container-core-social-links-is-layout-1 wp-block-social-links-is-layout-flex\"><li style=\"background-color: #f35029; \" class=\"wp-social-link wp-social-link-instagram  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/florencenovembre\/\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12,4.622c2.403,0,2.688,0.009,3.637,0.052c0.877,0.04,1.354,0.187,1.671,0.31c0.42,0.163,0.72,0.358,1.035,0.673 c0.315,0.315,0.51,0.615,0.673,1.035c0.123,0.317,0.27,0.794,0.31,1.671c0.043,0.949,0.052,1.234,0.052,3.637 s-0.009,2.688-0.052,3.637c-0.04,0.877-0.187,1.354-0.31,1.671c-0.163,0.42-0.358,0.72-0.673,1.035 c-0.315,0.315-0.615,0.51-1.035,0.673c-0.317,0.123-0.794,0.27-1.671,0.31c-0.949,0.043-1.233,0.052-3.637,0.052 s-2.688-0.009-3.637-0.052c-0.877-0.04-1.354-0.187-1.671-0.31c-0.42-0.163-0.72-0.358-1.035-0.673 c-0.315-0.315-0.51-0.615-0.673-1.035c-0.123-0.317-0.27-0.794-0.31-1.671C4.631,14.688,4.622,14.403,4.622,12 s0.009-2.688,0.052-3.637c0.04-0.877,0.187-1.354,0.31-1.671c0.163-0.42,0.358-0.72,0.673-1.035 c0.315-0.315,0.615-0.51,1.035-0.673c0.317-0.123,0.794-0.27,1.671-0.31C9.312,4.631,9.597,4.622,12,4.622 M12,3 C9.556,3,9.249,3.01,8.289,3.054C7.331,3.098,6.677,3.25,6.105,3.472C5.513,3.702,5.011,4.01,4.511,4.511 c-0.5,0.5-0.808,1.002-1.038,1.594C3.25,6.677,3.098,7.331,3.054,8.289C3.01,9.249,3,9.556,3,12c0,2.444,0.01,2.751,0.054,3.711 c0.044,0.958,0.196,1.612,0.418,2.185c0.23,0.592,0.538,1.094,1.038,1.594c0.5,0.5,1.002,0.808,1.594,1.038 c0.572,0.222,1.227,0.375,2.185,0.418C9.249,20.99,9.556,21,12,21s2.751-0.01,3.711-0.054c0.958-0.044,1.612-0.196,2.185-0.418 c0.592-0.23,1.094-0.538,1.594-1.038c0.5-0.5,0.808-1.002,1.038-1.594c0.222-0.572,0.375-1.227,0.418-2.185 C20.99,14.751,21,14.444,21,12s-0.01-2.751-0.054-3.711c-0.044-0.958-0.196-1.612-0.418-2.185c-0.23-0.592-0.538-1.094-1.038-1.594 c-0.5-0.5-1.002-0.808-1.594-1.038c-0.572-0.222-1.227-0.375-2.185-0.418C14.751,3.01,14.444,3,12,3L12,3z M12,7.378 c-2.552,0-4.622,2.069-4.622,4.622S9.448,16.622,12,16.622s4.622-2.069,4.622-4.622S14.552,7.378,12,7.378z M12,15 c-1.657,0-3-1.343-3-3s1.343-3,3-3s3,1.343,3,3S13.657,15,12,15z M16.804,6.116c-0.596,0-1.08,0.484-1.08,1.08 s0.484,1.08,1.08,1.08c0.596,0,1.08-0.484,1.08-1.08S17.401,6.116,16.804,6.116z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Instagram<\/span><\/a><\/li><\/ul><div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><hr class=\"wp-block-separator has-css-opacity is-style-default\"\/><p>&#8220;On a renonc\u00e9 \u00e0 pr\u00e9server une nature qu&#8217;on ne sait pas habiter, mais dont on conserve pourtant une ingu\u00e9rissable nostalgie. Alors, on se procure des objets et des produits qui, comme l&#8217;\u00e9crit Baudrillard, \u00ab restituent la nature comme signe apr\u00e8s l&#8217;avoir liquid\u00e9e dans la r\u00e9alit\u00e9 \u00bb &#8220;<sup>1<\/sup> Le champ de l&#8217;art est un paradoxe. Si en grande partie l&#8217;art se charge de produire ces dits objets, l&#8217;autre part cherche la place du r\u00eaveur : &#8220;le r\u00eave est le tison qui sert \u00e0 faire rougeoyer les braises du r\u00e9el ; &#8220;<sup>2<\/sup> R\u00eave et potentialit\u00e9 d\u00e9sirante fondent mon travail. Dans l&#8217;espace du papier, je fa\u00e7onne la perception visuelle en rapport aux m\u00e9canismes de l&#8217;illusion. Dans l&#8217;espace de l&#8217;exposition, je m&#8217;int\u00e9resse \u00e0 la mani\u00e8re dont vont circuler les corps, dont va advenir la perception physique, et comment cela va s&#8217;articuler avec l&#8217;entendement autour de l&#8217;installation vid\u00e9ographique. Ces derni\u00e8res ann\u00e9es, mon travail proc\u00e8de aussi par articulation s\u00e9quentielle, par agencement elliptique, que se soit par le montage temporel dans la vid\u00e9ographie ou par la mise en relation de plusieurs objets ou images, ou plusieurs dessins dans une s\u00e9rie.<\/p><p>Le processus de travail implique le geste, le faire, le corps comme outil pour conna\u00eetre puis transformer. Une balance entre le contr\u00f4le et l&#8217;impr\u00e9vu se met en place. Dans l&#8217;atelier ou in situ, j&#8217;occasionne des situations, pour moi et pour les autres, qui s&#8217;extraient de la cha\u00eene \u00e9conomique et sociale. Je tente d&#8217;observer les attendus, les carcans, et de les d\u00e9jouer. C&#8217;est une fa\u00e7on de chercher un \u00eatre au monde, de poser et se poser des questions, de se demander ce que pourrait \u00eatre la libert\u00e9. Ma proposition subjective, tout en me d\u00e9routant moi-m\u00eame, vise \u00e0 trouver un \u00e9cho chez un spectateur et \u00e0 lui faire arpenter son propre d\u00e9tour.<\/p><p>Je ne cherche ni la beaut\u00e9, ni \u00e0 faire un pamphlet, mais je cherche d&#8217;abord l&#8217;intensit\u00e9, puis les interstices. Les doutes occupent plus mon travail que les certitudes.<\/p><p>Dans l&#8217;articulation entre l&#8217;appr\u00e9hension du r\u00e9el et l&#8217;imaginaire, je regarde comment agit la m\u00e9moire en tant que r\u00e9miniscence, m\u00e9moire collective et mythologique. Je questionne l&#8217;espace en tant que lieu, paysage ou territoire, et comment nous en avons une connaissance perceptuelle et une connaissance th\u00e9orique. Mon travail consid\u00e8re le corps en tant qu&#8217;interface d&#8217;exp\u00e9rience et puissance po\u00e9tique dans sa relation \u00e0 l&#8217;environnement.<\/p><p>J&#8217;esp\u00e8re ainsi activer l&#8217;imaginaire en friction et en fiction avec un certain r\u00e9el, et proposer, \u00e0 la diff\u00e9rence d&#8217;un objet cat\u00e9gorisable, une lisi\u00e8re, un sentier qui bifurque, une porte.<\/p><p><sup>1<\/sup> et<sup> 2<\/sup> Mona Chollet, <em>La tyrannie de la r\u00e9alit\u00e9<\/em>.<\/p><hr class=\"wp-block-separator has-css-opacity is-style-default\"\/><p><em>CV:<\/em><\/p><p>Vit et travaille \u00e0 Rennes.<\/p><p><strong>Court-m\u00e9trages<\/strong><br>2020 DELTAS<br>2016 Sable noir<br>2014 Les grands sables \/ https:\/\/vimeo.com\/106294624<br><strong>R\u00e9sidences<br><\/strong>2024 R\u00e9sidence avec le Collectif Spoum!, Hotel Pasteur, Rennes<br>2018_2020 Espai d\u2019art -arts visuels- Roca Umbert, Granollers, Spain.<br>2018 Espai d\u2019art -Performance- Roca Umbert.<br>2018 L\u2019Estruch, Sabadell, Spain.<br>2018 Milles Plateaux, Corbi\u00e8res, France.<br>2015 Permutations (Cie Communaut\u00e9 Inavouable) Le Moulin Jaune, avec le soutien d\u2019Arcadi Ile-de-France.<br><strong>Projets en danse<\/strong><br>2022 <em>Visiothorax<\/em>, collaboration avec Cie Le Siamang (Carole Steine), projet Culture Sant\u00e9, Superflux, Bazouges-la-P\u00e9rouse<br>2018 <em>Double vue<\/em> , performance, BCN.<br>2017 <em>Geopresencies<\/em>, performance, BCN.<br>2016 <em>Ontophylo, Images<\/em>, installation vid\u00e9o en collaboration avec Carole Steine, chor\u00e9graphe, Rennes, FR.<br><strong>1% artistique<br><\/strong>2013-2014 <em>Polarized<\/em>, Chapelle du Lyc\u00e9e Lebrun, Coutances, Basse-Normandie<strong>.<br>Expositions<\/strong><br>2023 <em>Echos<\/em>, avec le collectif Spoum!, performance Les  micro-consultation, Rennes<br>2023 Ateliers Portes ouvertes de la ville de Rennes<br>2023 <em>Ecume<\/em>, avec le Collectif Spoum!, le Bois-Perrin, Rennes.<br>2022 Ateliers Portes ouvertes de la ville de Rennes<br>2022 \u00a0<em>Les mans al fang<\/em><strong> \/ <\/strong>Commissarat Laia Casanova \/ exposition duo avec Montse Tom\u00e0s \/ TPK Centre d&#8217;art et de pens\u00e9e contemporaine, L&#8217;Hospitalet, Barcelone.<br>2019 <em>MAU<\/em>, Utopic Memories, avec Francele Cocco.<br>2017 <em>Le 6b dessine son salon<\/em>, commissaires Marie Gautier et Claire Luna<br>2015 <em>WELCOME IN JOYLAND, KIDS ! ( laughter tracks )<\/em>, commissariat Emilie Schalck, le 6b.<br>2014 <em>3 days in Paris<\/em>, avec Marie Lelouche, Fritz Panzer, Michelangelo Penso et Jo\u00e3o Vilhena, Galerie Alberta Pane.<br><em>Superstructures<\/em>, commissariat Julien Pelloux, Le 6b.<br>2013 <em>3 DAYS IN PARIS<\/em>, avec Marie Lelouche \/ Fritz Panzer \/ Joao Vilhena Galerie Alberta Pane.<br><em>Le vestibule et les canaux semi-circulaires<\/em>, avec Sarah Duby et Jo\u00e3o Vilhena, Galerie Alberta Pane<em><span class=\"Style7\"><br><\/span>Transgression<\/em>, avec Nadia Agnolet, Maya Benkelaya, Laurence De Leersnyder, Anne De Nanteuil, Perrine Dorin, Etienne Hacquin, R\u00e9jane Lhote, Pieter Van der Schaaf, Thibaut War\u00e9. Le 6B<br>Ast\u00e9rides Atelier Portes ouvertes, Atelier de\u00a0Marie Lelouche, sur son invitation.<br>2012 <em>A Night Screen<\/em>, avec Thomas Bertay et Pac\u00f4me Thiellement, Romain Kronenberg, Estefania Pe\u00f1afiel Loaiza, Jacques Perconte, Emilie Schalck, Biceps et Julie Fruchon.<br>2011 <em>Tout se fige alors<\/em>, exposition personnelle, galerie Alberta Pane, Paris.<br><em>Translithes<\/em>, avec Laurence De Leersnyder, R\u00e9mi Froger, C\u00e9line Lachkar, Diogo Piment\u00e3o, le 6B, Saint- Denis, France.<br><em>Transposer<\/em>, commissariat Kurt Forever, le 6B, Saint-Denis, France.<br><em>Effervescences<\/em>, exposition de vid\u00e9o, commissaire Michel Nuridsany, Institut Fran\u00e7ais de Hano\u00ef.<br>2010 <em>Stratifications<\/em>, avec Giancarlo dell&#8217;Antonia, Igor Eskinja, Bruno Kladar et Marie Lelouche, commissaire Daniele Capra, galerie Alberta Pane, Paris.<br><em>Grenzg\u00e4nger<\/em>, commissaire Arnika M\u00fcll, La G\u00e9n\u00e9rale, S\u00e8vres, France.<br>2009 <em>Visual Sound Festival Plektrum<\/em>, East galerii, Tallinn, Estonie.<br><em>S x S dans R<\/em>, premier volet, commissaire Adrien Pasternak, La G\u00e9n\u00e9rale en Manufacture, S\u00e8vres, France.<br><em>S x S dans R<\/em>, second volet, galerie Jeune Cr\u00e9ation, Paris.<br>2008 <em>Haptique<\/em>, avec Marie Lelouche, galerie Alberta Pane, Paris, France.<br><em>Dis-locate<\/em>, commissaire Emma Ota, Tokyo, Japon.<br><em>FIFTEEN<\/em>, Collectif Na\u00ef, Chateaulin, France.<br><em>Corps \u00e0 faire &#8230; fin \u00e0 programmer<\/em>, Sciences Po. et galerie Jeune Cr\u00e9ation, Paris.<br>2007 <em>Fra\u00eecheur de vivre<\/em>, Un Printemps fran\u00e7ais, commissaire Michel Nuridsany, Riga, Lettonie.<br><em>Soif d&#8217;aujourd&#8217;hui<\/em>, commissaire Michel Nuridsany, Mus\u00e9e d&#8217;Art Moderne de Saint-\u00c9tienne, Saint-\u00c9tienne, France.<br>2006 <em>Fra\u00eecheur de vivre<\/em>, commissaire Michel Nuridsany, Centre Culturel Fran\u00e7ais, Alger, Alg\u00e9rie.<br><em>Attentifs ensemble<\/em>, Attitudes &#8211; espace d&#8217;arts contemporains, Gen\u00e8ve, Suisse.<br>2005 <em>Superflux<\/em>, galerie Roger Tator, Lyon, France.<br><em>Premi\u00e8re Vue<\/em>, commissaire Michel Nuridsany, Passage de Retz, Paris.<br><em>Les beaux-arts empruntent le m\u00e9tro<\/em>, Paris.<br>2004 <em>Switch<\/em>, galerie Superdeluxe, Tokyo, Japon.<br><em>Ghostscape<\/em>, Villa Savoye, Poissy, France.<\/p><p><strong>Festivals et projections vid\u00e9o<\/strong><br>2024 Soir\u00e9e Projection, Par Tout Artiste, Rennes<br>2021 DELTAS au Festival Instants Vid\u00e9o Num\u00e9riques et Po\u00e9tiques, Marseille.<br>2021 DELTAS au Festival Panoramic<br>2020 Bideodromo Bilbao.<br>2019 <em>Panoramic,<\/em> Festival arts visuels et cin\u00e9ma, Granollers.<br>2018 <em>Brussels Independant Film Festival<\/em>, s\u00e9lection officielle de Sable Noir.<br>2017 Festival <em>Les Irr\u00e9cup\u00e9rables<\/em>, La Gare Exp\u00e9rimentale, Paris.<br>2016 <em>FAR<\/em> 2016, projection du film &#8220;Les grands sables&#8221;<br>2013 Fen\u00eatre sur, organis\u00e9 par\u00a0Clyde Chabot, avec\u00a0Mille Plateaux Associ\u00e9s, Geisha Fontaine et Pierre Cottreau.\/Intervention vid\u00e9ographique.<br>2011 <em>Makes much more sense to live in the present tense, R<\/em>ien \u00e0 voir, Instants Chavir\u00e9s, Montreuil.<br>2010 <em>Habiter<\/em>, commissariat Kurt Forever, le 6B, Saint-Denis, France.<br><em>Vid\u00e9o&#8217;Appart<\/em> Paris et Duba\u00ef.<br><em>Minute Vid\u00e9o(s)<\/em>, Usine T.R.A.C.E.S., Paris.<br><em>Sunday&#8217;s Screening #3<\/em>, galerie Alberta Pane, Paris.<br>2009 Diffusion sur <em>Souvenirs from earth<\/em> TV.<br>2008 <em>Optica Review<\/em>, projection, Institut Cervant\u00e8s, Nuit Blanche, Paris.<br><em>Visual Sound Festival Plektrum<\/em>, Tallinn, Estonie.<br><em>Vid\u00e9o&#8217;Appart<\/em>, exposition d&#8217;art vid\u00e9o dans des appartements priv\u00e9s, Paris.<br><em>Video-Salon 3<\/em>, 10m2 Galerija, Sarajevo, Bosnie-Herz\u00e9govine.<br>2007 <em> Optica<\/em>, Gijon International Festival of Video Art, Espagne.<br><em>Busan International Video Festival<\/em>, Vid\u00e9o\u00efsme #7, projection, Cor\u00e9e du Sud.<br><em>One Minute Film &amp; Video Festival<\/em>, Aarau, Suisse.<br><em>Yogyakarta International Media Art Festival #01<\/em>, Vid\u00e9o\u00efsme # 7, Indon\u00e9sie.<br><em>Vid\u00e9o\u00efsme # 7<\/em>, Mains d&#8217;OEuvres, Saint-Ouen, France.<br>2006 <em>Une minute sans son<\/em>, projection, Nuit Blanche &#8211; off, Paris.<br><em>Gaya International Festival of culture<\/em>, Gimhae, Cor\u00e9e du Sud.<br><em> Artskool Videocube Busan<\/em>, galerie Space Bandee Busan, Cor\u00e9e du Sud.<br><em>Rien \u00e0 voir<\/em>, Instants Chavir\u00e9s, cycle personnel de projections, Montreuil, France.<br>2005 <em>Vid\u00e9oformes<\/em>, Vid\u00e9oth\u00e8que Eph\u00e9m\u00e8re, Clermont-Ferrand, France.<br>2004 Divan du Monde, projection ( <em>Art-video.org<\/em> ), Paris.<br>2003 Projection \u00e0 la p\u00e9niche Le Vaisseau Fant\u00f4me, Paris, France.<br><em>Rencontres Paris-Berlin<\/em>, vid\u00e9oth\u00e8que, Paris, France.<br><em>Superflux 03<\/em>, projection, Lyon, France.<\/p><p><strong>Foires<\/strong><br>2019 Arts Libris, Barcelona<br>2016 <em>Drawing Now<\/em>, Salon du dessin contemporain, galerie Alberta Pane, Paris, France.<br>2011 <em>Drawing Now<\/em>, Salon du dessin contemporain, galerie Alberta Pane, Paris, France.<br>2010 <em>Swab Art Fair<\/em>, finaliste du prix de dessin Swab, Barcelone, Espagne.<br>2009 <em>Slick<\/em>, galerie Alberta Pane, Paris, France.<br>2008 <em>Slick Dessin<\/em>, galerie Alberta Pane, Paris, France.<br><em>Slick<\/em>, galerie Alberta Pane, Paris, France.<br>2007 <em>Diva Fair<\/em>, galerie Alberta Pane, Paris.<\/p><p><strong>Publications<\/strong><br>2023 RU, \u00e9dition limit\u00e9e \u00e0 10 exemplaires<br>2019 DELTAS, \u00e9dition limit\u00e9e \u00e0 300 exemplaires.<br>2019 MAU, livret.<br>2016 Revue Ce qui Secret, Capitalisme et Schizophr\u00e9nie.<br>2012 Revue Ce qui Secret, \u201cNUi\u201d, vid\u00e9o. <a href=\"http:\/\/www.cequisecret.net\/node\/304\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.cequisecret.net\/<\/a><br>Runbook, <a href=\"http:\/\/despaysages.fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/despaysages.fr\/<\/a><br>2011 Kurt-zine n\u00b02, Commettre.<br>2010 Kurt-zine n\u00b01, Reproduire.<br>Video&#8217;Appart, catalogue de l&#8217;exposition.<br>2008 Video&#8217;Appart, catalogue de l&#8217;exposition.<br>2007 Busan International Video Festival, catalogue de l&#8217;exposition.<br>Fra\u00eecheur de vivre, Riga, catalogue de l&#8217;exposition.<br>2006 Gaya International Festival of Culture, Gimhae, catalogue.<br>Attentifs ensemble, Attitudes, Gen\u00e8ve, journal.<br>2005 Premi\u00e8re Vue, journal.<br>2004 Ghostscape, catalogue.<\/p><p><strong>Formation<\/strong><br>2006 Workshop avec Catherine Contour au CCN de Montpellier.<br>2005 DNSAP, Beaux-Arts de Paris, France.<br>S\u00e9minaire de Christian Bernard.<br>Atelier de Jean-Luc Vilmouth.<br>2004 Workshop avec Philippe Rahm.<br>Workshop avec Catherine Contour.<br>Bourse d&#8217;\u00e9change \u00e0 l&#8217;Universit\u00e9 d&#8217;Art Musashino, Tokyo (6 mois).<br>2002 Aide au projet de la Mairie de Paris, d\u00e9l\u00e9gation aux arts plastiques.<\/p><p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;On a renonc\u00e9 \u00e0 pr\u00e9server une nature qu&#8217;on ne sait pas habiter, mais dont on conserve pourtant une ingu\u00e9rissable nostalgie. &hellip; <a class=\"more-link\" href=\"https:\/\/www.florencegirardeau.org\/new\/biographie\/\">Plus<\/a><\/p>\n","protected":false},"author":1,"featured_media":1256,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-45","page","type-page","status-publish","has-post-thumbnail","hentry",""],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Note d&#039;intention, CV. - florence girardeau<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Note d&#039;intention, CV. - florence girardeau\" \/>\n<meta property=\"og:description\" content=\"&#8220;On a renonc\u00e9 \u00e0 pr\u00e9server une nature qu&#8217;on ne sait pas habiter, mais dont on conserve pourtant une ingu\u00e9rissable nostalgie. &hellip; 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